The artistic nocturnality of Juan Nordlinger’s brush

How beautiful your work is … in the cold of the night, between warm lights and icy sparkles … the work of Juan Nordlinger takes us behind the scenes to feel the lonely temperature of a path …
Who left these footsteps before the one who looks? What multitude of bodies stood in front of these mannequins… yearning… rejecting… about to break the glass…?
What does this old porteño building think of the many illusions and despairs of the people that tingles its age…underneath? An empty chair sounds like the wisdom of those who knew how to rest their souls in a sigh that groans in its legs, or the joy of those who almost leaned on its edge.
If I were an art critic, I would say that not every single painting can be seen at the speed of today’s rush… which demands a necessary delay for the complicity with the author to reveal what is behind, inside, in…
I am not a critic, but I declare myself an accomplice of the artistic nocturnality of your brush!
Bravo and success!

Susana Yasan
Actress, theatre director, stage director graduate of the Colon Theatre, founder of the Latin American School of Bioenergetics. She has acted in plays such as Boda Blanca, Medida por Medida, La llave Marilyn, Año Cero; she has directed La zapatera prodigiosa, L’enfant prodigue, Carmen and is currently preparing a production of Rigoletto in preparation.